In this book John Radner examines the fluctuating, close, and complex friendship enjoyed by Samuel Johnson and James Boswell, from the day they met in 1763 to the day when Boswell published his monumental "Life of Johnson." Drawing on everything Johnson and Boswell wrote to and about the other, this book charts the psychological currents that flowed between them as they scripted and directed their time together, questioned and advised, confided and held back. It explores the key longings and shifting tensions that distinguished this from each man's other long-term friendships, while it tracks in detail how Johnson and Boswell brought each other to life, challenged and confirmed each other, and used their deepening friendship to define and assess themselves. It tells a story that reaches through its specificity into the dynamics of most sustained friendships, with their breaks and reconnections, their silences and fresh intimacies, their continuities and transformations.

Dead Masters examines the dual issues of mentoring and intertextuality as an integrated phenomenon. Through a series of fresh and novel readings of Johnsonian and Boswellian texts, the book further advances our awareness of the formal complexities of Johnson's writings and the psychological substratum from which they issue.

This text offers wide-ranging coverage of Samuel Johnson's life work, and reception across 15 thematically cohesive chapters. Taking as its point of departure William Hazlitt's famous comparison between Johnson's prose style and a pendulum, this volume will contest and rebalance the metaphor of the pendulum.

Great writers of the past whose works we still read and love will be read forever. They will survive the test of time. We remember authors of true genius because their writings are simply the best. Or . . . might there be other reasons that account for an author’s literary fate? This original book takes a fresh look at our beliefs about literary fame by examining how it actually comes about. H. J. Jackson wrestles with entrenched notions about recognizing genius and the test of time by comparing the reputations of a dozen writers of the Romantic period—some famous, some forgotten. Why are we still reading Jane Austen but not Mary Brunton, when readers in their own day sometimes couldn’t tell their works apart? Why Keats and not Barry Cornwall, who came from the same circle of writers and had the same mentor? Why not that mentor, Leigh Hunt, himself? Jackson offers new and unorthodox accounts of the coming-to-fame of some of Britain’s most revered authors and compares their reputations and afterlives with those of their contemporary rivals. What she discovers about trends, champions, institutional power, and writers’ conscious efforts to position themselves for posterity casts fresh light on the actual processes that lead to literary fame.

The first examination of interconnected manuscript-exchanging coteries as an integral element of literary culture in eighteenth-century Britain. This title is also available as Open Access.

Considers S. 739 and related S. 1828, to amend the Civil Service Retirement Act to revise the method of computing interest earnings on special Treasury issues held by civil service retirement and disability fund, and to provide for permanent indefinite appropriation to this fund.

Considers S. 739 and related S. 1828, to amend the Civil Service Retirement Act to revise the method of computing interest earnings on special Treasury issues held by civil service retirement and disability fund, and to provide for permanent indefinite appropriation to this fund.

New Approaches to Religion and the Enlightenment examines religious belief and practice during the age of Enlightenment from a range of disciplinary perspectives, including theology, the natural sciences, politics, the law, art, philosophy, and literature.